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“In the desire for comfort, we seek to recreate the familiar in a
foreign environment. HOME is a discourse on displacement and the colonial approach, to create a filtered barrier against the unfamiliar.

The austere façade of iron lace-work pattern acts as a fence, creating a fortress within which to contain the personal and resist the unknown. In contrast the interior is homely, housing the objects of homage, a pair of ice shoes and an ice teapot.

With reference to Dorothy’s red shoes & Cinderella’s glass slippers, these shoes will take you home, or to the ball, where you wish to be. However if you were to wear them, they would just melt and you would land right where you are. In comparison the ice teapot's very existence is volatile in its inutility and represents the fragile longing of expatriate existence”

Tara Badcock is primarily interested in pursuing forms of communication
through a combination of stitch and fabrics, preferably fabrics which
have ‘lived another life’ before being discovered and cherished by the
artist.

Julia Adzuki

Julia Adzuki is an artist fascinated by the temporal, ephemeral and
natural decay. She began her Fine Arts education at Victorian Collage of the Arts, Melbourne and contin-ued with studies at the University of Tasmania, School of Art Hobart.

Her first ice installation ‘Melt’ of cast ice dolls arms and embedded
hair was shown at Tasmania’s Side Space Gallery, 2000. In 2002, her tatted lace work ‘secrets of my great aunt May’ won the Zonta best textiles award.

In 2002 Julia began working with ICEHOTEL and has returned each winter since; creating suites, sculptures for ICEBAR International and teaching ice sculpting. She has also worked with ice in Greenland, Québec and Norway. Her dedication is to the development of snow and ice as contemporary art materials. She now calls the Torne River home.

 

Tara Badcock
Tara Badcock gained her Bachelor of Fine Art with First Class Honours at the University of Tasmania in 1997. Since this time Tara has exhibited widely at local and international events and venues, also teaching workshops, undertaking Artists’ Residencies and self-initiated mentor-ships.

Tara was recently the first recipient of the Arts Tasmania Printmaking Workshop Residency grant, where she undertook a position at Atelier Lacourière et Frélaut, in Montmatre, Paris. In October 2005 she undertook a residency and exhibition at the Troia Culture Centre, Cannakale University in Turkey.

Currently living and working between Tasmania and France, Tara Badcock seeks ways of creating an environment of "Portable Homeliness" by creating a series of fantastical tea cosies which form part of her "Tea cosy Revolution Manifesto", to be launched later in 2006.


Tara Badcock &

Julia Orlando Adzuki 

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