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Suite 310
Horse trouble
“..an eerily prophetic, contemporary Lasceux.
Species extinction via global warming is an underlying theme, especially pertinent as the Arctic is warm-ing at a rate twice as fast as the rest of the globe. The suite will serve as a kind of memento mori to this fatal process, using the horse as an archetypal symbol of the multifarious relationship of humans to ani-mals.”

Susannah Mira

Susannah Mira is a bone collector interested in anatomy, language, iconography, mythology, and scaf-folding. The poetry of connections between our delicate ecology, habitat and human relationships are ad-ditional concerns.

 

The importance of process and the idea that art must be lived with, are two simple, yet dominant themes in her work. She currently resides on the south face of a mesa, high in the Arizona desert, and is growing out her hair. 

Sean O’Neill

Sean O’Neill is an experimental sound artist currently living and working in Austin, Texas. He uses field recordings as a primary source material, layering elements of environmental /urban/ found sound with processed acoustic and electronic instrumentation.

 

His work focuses on perception of space and natural ambience. An avid sound recordist, O’Neill has collected recordings throughout Southeast Asia, Europe and the US. Additionally, he has appeared on several compilations under the moniker When I Know You Will Too, and has releases with Detroit’s Asaurus Records and London’s Evelyn Records.


Susannah Mira & Sean O’Neill
USA
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