“I wish to create a suite that plays on the idea of a familiar, warm environment juxtaposed with the cold, hard mediums of ice and snow.
…[the] imagery [is] familiar and comfortable – utilizing the safe, contained form and imagery of Matryo-shka nesting dolls. Each doll sized to fit inside one another symbolizing the generational and societal connection between human beings. The environment …reflect[s] the protection and power created by multiples of a familiar shape and the awe of small familiar items recreated in large scale.
…Most people have a warm familial connection to Matryoshka dolls and the craft of knitting. When these familiar elements are combined and recreated in large scale within the environment. The result [is] wel-coming, cosy and hypnotic.”
Brigette Cameron
Brigette Cameron graduated from RMIT University’s Textile Design Degree in 2002, majoring in knitted textiles.
Brigette is now a practising textile artist who has a keen interest in examining the delineation between knitted craft and art. She is fascinated with making the ordinary extraordinary by exploring process and context in her hand knitted work. As well as her art practise, Brigette lectures in hand knitting and con-sults to industry in the areas of art and design.